Dana Schwartz’s “How to Choose a Writing Instrument and What It Says about You” is so dead-on that I didn’t immediately + more
Dana Schwartz’s “How to Choose a Writing Instrument and What It Says about You” is so dead-on that I didn’t immediately + more
Consistent writing will make you a better designer, according to Eugen Eşanu. Not so fast, reports John Seabrook. After all, + more
I was reading a pretty interesting article this morning about how a Pittsburgh TV celebrity rigged the state lottery back + more
Nature has published novelist Cormac McCarthy’s tips on how to write a great science paper, and—surprise!—much of his advice just + more
Here’s a fascinating review of John Warner’s Why They Can’t Write: Killing the Five Paragraph Essay and Other Necessities. While + more
Does any part of your job involve writing? Are you employed in the marketing, communications, or PR fields? Have you, + more
Over at the Spectator, David Crystal reviews Semicolon: The Past, Present, and Future of a Misunderstood Mark by Cecelia Watson, + more
Courtesy of the inestimable Jill Poland, who once did yeoman’s work for us here at helveticka world headquarters, comes this + more
Because these things matter, if only to keep the barbarians beyond the gates for a little while longer: An abbreviation + more
I’ve been reading Benjamin Dreyer’s Dreyer’s English: An Utterly Correct Guide to Clarity and Style, and even though I’m only + more
Though this is an interesting and welcome admission – inasmuch as writers have historically been the Dalits of this business + more
In a conversation about grammar and style over at Literary Hub, Mary Norris and Benjamin Dreyer were asked the number + more
Richard Lehnert, Stereophile copyeditor for the last 34 years, is calling it quits. He wrote a short reflection at the + more
When people ask me what I do for a living, and I respond with, “I’m a writer,” there’s a 99.78 + more