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Monday Miscellany

“With [McCoy Tyner’s] death,” writes Andrew L. Shea, “we’ve lost our last living link to perhaps the greatest jazz quartet ever, but more importantly, we’re stripped of an individual and searching voice.” The missus and I happened to catch one of Tyner’s sets while on our honeymoon nearly 30 years ago.

Speaking of the passing of personal heroes, Brewmeister Smith shuffled off this mortal coil yesterday.

Pssst: “Although most people would define authenticity as acting in accordance with your idiosyncratic set of values and qualities, research has shown that people feel most authentic when they conform to a particular set of socially approved qualities.”

$9,992 is what an in-state student will pay for tuition and fees to attend Purdue next year. Which is what it cost in 2013.

HB DG!

The great David Gilmour turns 74 today. There are few rock guitarists with such an immediately recognizable sound—or, for that matter, who possess such a lyrical sensibility—and few artists who contributed so much to my understanding of what popular music could achieve.

To celebrate, may I suggest a handful of representative albums? Pink Floyd’s Dark Side of the Moon (1973) and The Wall (1979) are the obvious choices, I suppose—particularly the latter, if only for Gilmour’s solo on “Comfortably Numb”—though Meddle (1971), Wish You Were Here (1975), and Animals (1977), are my personal favorites; his first two solo projects, David Gilmour (1978) and About Face (1984), demonstrate more of a pop/rock side to his writing and playing; and his collaboration with The Orb, Metallic Spheres (2010), is a revelation.

Feel free to play them in whatever order seems right and good.

Stop! Grammar Time!

About a block from helveticka world headquarters there’s a business that offers “Spokanes only 15 minute workout.” A missing apostrophe, I thought to myself. Where could it have gone to?

Only as far as the shop across the street, it turns out—on a notice in the window that says they’re now “open on Sunday’s.”

I briefly entertained the possibility of returning the stray punctuation to its rightful owner, but thought better of it. There are already enough weirdos in the neighborhood.

In the meantime, repeat after me: Apostrophes don’t make nouns plural! (Unless we’re talking about, say, the plural form of lowercase letters. But that’s something else entirely.) Also, while we’re at it, if it’s possessive, add an apostrophe + s, e.g. Spokane’s only 15-minute workout.

Or, you know, if you don’t know the rules, maybe just refrain from making signs.

Word of the Day

bricoleur (noun; French) one who creates without the aid of a plan or strategy

“Aaron’s such a brilliant writer, I’ll bet his outlines are insane!”

“Dude. Haven’t you heard? He’s a bricoleur. His process is empirical; organic. You can’t achieve that level of artistry through design.”

Monday Curmudgeonry

The definition of the word privilege, like that of racism, has lately been stretched so far as to have lost all meaning. So you can imagine how I felt when I read the following:

The thing I’m most sure I had though, that was a direct result of my extraordinary privilege, is the blindness with which I bounded toward this profession, the not knowing, because I had never felt, until I was a grownup, the very real and bone-deep fear of not knowing how you’ll live from month to month.

That’s Lynn Steger Strong writing in the Guardian about how “you can only be a writer if you can afford it.”

But it wasn’t the obligatory use of the p-word that raised an eyebrow. No, it was the terrible writing. And if you think a fifty-six-word sentence with six commas is bad, it does, in fact, get worse:

I did not know what this writer, who I thought was single, paid in rent, or all the other ways that they might have been able to cut corners, that I, a mother of two, could not cut, but even then, it felt impossible to me that this writer was sustaining themselves in any legitimate way without some outside help.

One sentence, sixty words, eight commas, zero rhythm. And it’s all made even more confusing by the almost aggressive use of they as a singular pronoun. Here’s another example, just for fun:

For my students, for all the people I see out there, trying to break in or through and watching, envious, I want to attach to these statements and these Instagram posts, a caveat that says the writing isn’t what is keeping this person safe and clothed and fed.

Do you have any idea what she’s saying? I sure as hell don’t.

Look, it’s not the length of the sentence that bothers me.(I’ve written about this before.) It’s not the inordinate number of commas, either. It’s not even the random shifts from one subject to another. It’s the dearth of any sort of musicality in her writing. Like the person who claps on one and three, Lynn Steger Strong has no inherent sense of pitch and rhythm.

But ultimately, it doesn’t matter, because she’s right: If someone is making money writing like this, privilege can be the only possible explanation.

Today in History

Big day today.

On February 28, 1943, eleven Norwegian soldiers took out the Vemork chemical plant, putting German nuclear scientists months behind—and allowing the U.S. to overtake the Nazis—in their quest to build an atomic bomb.

And this day in 1970 saw the American release of Van Morrison’s Moondance. It’s one of my favorite albums of all time, so you should definitely know about it if you expect to stay friends.

Oh, also, this is the day, back in 1895, that Sidney Wright, a porter at London’s Albemarle Club, handed Oscar Wilde a visiting card from the Marquess of Queensberry calling him a sodomite. Good times.

Miscellany

Couple of heavy reads for y’all today.

Over at Cabinet magazine, Justin E. H. Smith takes stock of his soul: “My dad,” he writes, “was a computer guy, my mom was a rural family-law attorney, known to accept chickens and goats from destitute clients in lieu of legal tender; I am a philosopher. And we’ve all spent our lives, with varying degrees of success, chasing after that sweet, sweet cash.”

And Agnes Callard continues her series of columns on public philosophy at The Point with a look at thoughts and prayers: “I refuse to beg God. As I see it, God already knows what I want, and doesn’t need my advice on how to run the universe.”

If that’s a all bit much, you may find Jessica Riskin’s The Defecating Duck, or, the Ambiguous Origins of Artificial Life an amusing read—particularly if you’re familiar with your Voltaire. “Without the shitting duck,” he wrote, tongue planted firmly in cheek, “there would be nothing to remind us of the glory of France.”

And speaking of such things, does anyone—anywhere—need to be told this? Really?

Finally, a new music recommendation: We’re New Again: A Reimagining by Makaya McCraven.

Garbage In, Garbage Out

“No matter where I’ve worked,” writes Molly Young in perhaps the greatest takedown of corporate-speak I’ve ever read, “it has always been obvious that if everyone agreed to use language in the way that it is normally used, which is to communicate, the workday would be two hours shorter.”

Only she prefers the term garbage language to corporate-speak or jargon or buzzwords, “because garbage is what we produce mindlessly in the course of our days and because it smells horrible and looks ugly and we don’t think about it except when we’re saying that it’s bad, as I am right now.”

It really is a devastating piece, and you really ought to read the entire thing. Especially for the closing statement.

Quote of the Day

Words of wisdom from the great James Hubert “Eubie” Blake:

“Be grateful for luck. Pay the thunder no mind—listen to the birds. And don’t hate nobody.”

Amen.

Yay! Technology!

“High-rez music streaming is one of the finest developments in the history of hi-fi,” writes Jim Austin over at Stereophile. There are no serious downsides, he adds. So embrace it:

If you care about musician incomes, the best thing you can do is subscribe to a music streaming service, or more than one, and listen. The logic is air-tight: Streaming is taking over music distribution—whether we want it to or not—and the more money streaming services make, the more money musicians make from streaming.

Now I know it’s not technically high-rez, but one thing I’ve experienced since subscribing to Apple Music is the joy of a month’s worth of nearly unfettered discovery for the cost of a single album. And yet I still buy physical copies of the stuff I really dig. So there are benefits even with the lower-quality services.

Case in point: A friend recently introduced me to the Danish band Heilung. Thirty seconds later, I’d downloaded all three of their albums and started listening. This would have taken months back in the days when I was swapping cassette tapes through the mail.

Like I said a couple of days ago, we truly live in the best of times.

Social Media for the Win

There is a Twitter account called Wiki Titles Singable to TMNT Themesong. It is, as its name suggests, a bot that chronicles—hourly, mind you—the titles of wiki articles that can be sung to the theme song from Teenage Mutant Ninja Turtles. To wit: “Sisters of the Infant Jesus,” “Microsoft Solutions Framework,” “Brewster-Douglass Housing Projects,” et al. As of this writing, the account has nearly 50,000 followers.

We truly live in the best of times.

What to Watch

By my count, it’s been eighteen days since we last posted anything new around here. You’d think that that would prompt some inquiries into our well-being, but it would appear that nobody noticed.

Anywho…

Blade Runner: The Final Cut is currently streaming on Netflix. Now, I yield to no one in my love for the original theatrical release, which I first saw as a callow youth back in 1982. The difference? I found the The Final Cut, which came out in 2007, to be far more sci-fi and less noir. It’s also director Ridley Scott’s preferred version – the one that more closely hews to his vision. (There are a lot of versions, too, so this is very important.)

Thirty-eight years later, it still holds up. And it’s still one of my all-time favorite movies.

The New Puritans

In light if this steaming pile of stupidity—in which one of the “concerns” raised against American Dirt is that the “controversial” book, which is apparently about Mexican migrants, was written by a white American (gasp!)—I think it’s important for all you pearl-clutchers out there to read this timely essay by George Packer.

Oh. Wait. That would require y’all to embrace complexity rather than simply “bask in the warmth of a blinding glow” of your own moral certainty. Or, you know, to actually read the book before sanctimoniously denouncing it.

Never mind.

Frequently Asked Questions about Your Craniotomy

“If you’re reading this page,” writes Mary South, “chances are you’ve recently heard that you need to have a craniotomy. Try not to worry. Although, yes, this is brain surgery, you’re more likely to die from the underlying condition itself, such as a malignant tumour or subdural hematoma. Think of it this way: insomuch as being alive is safe, which it is not, having a craniotomy is safe.”

Go Phil Go!

Remember when President Jimmy Carter led a multi-nation boycott of the 1980 Summer Olympics when the Soviets refused to withdraw their troops from Afghanistan?

Sure, the boycott itself was ultimately a failure—and the commies ended up boycotting the 1984 Los Angeles games in retaliation anyway—but at least there were principles behind the president’s action. Nowadays, you can’t swing a cat without hitting some smug, self-righteous twit calling for a boycott for anything from holding an untenable political position to thinking Bad Thoughts™.

So naturally I was pleased to hear that Philip Pullman is bringing some respectability back to boycotting. If there’s one thing all literate people can agree on, it’s that the Oxford comma is good and noble, and should be preserved at all costs.

Down with the Brexit 50p coin!

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