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Workday Diversion

Fascinating New York Times Magazine article: “The untold story of the fight over the legacy of ‘H.M.’—the patient who revolutionized the science of memory.”

The story of the war over Henry’s brain didn’t begin in a fancy conference room on Fifth Avenue in Manhattan, but that’s where one of its climactic battles would take place. It was March 2013, and there were more than a dozen participants, an impressive roster of scientists and administrators affiliated with four major institutions — M.I.T.; Mass General; the University of California, Davis; and the University of California, San Diego — as well as two major grant-­giving organizations, the Dana Foundation and the Simons Foundation. But the essential participants, the chief antagonists, were Suzanne Corkin and a man named Jacopo Annese.

Meanwhile, more than 200 members of the “international scientific community,” including faculty at MIT, have responded to the article.

The Perfect Setting

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When we arrived at our Tuscany bed and breakfast last month, I couldn’t help but notice some interesting shapes off in the distance: geometric—seemingly too perfect in form to be natural—and too big to be any thing other than manmade. I was curious.

The next day, while driving along a winding road near the town of Volterra, we came across this large circular form resting in a wheat field. It was completely unexpected, out in the middle of nowhere, and overlooking yet another beautiful landscape. It turns out to be the work of Volterra-born sculptor Mauro Staccioli. In 1972 he embarked on a series he called “scultura-intervento” which began in urban settings and later included natural environments. The piece we found is titled Anello ’97 (Ring ’97) and was one of many gifts to his home town in 2009.

I’ve always been a fan of large-scale, simplistic form sculptures, especially in steel or concrete (notably the work of Richard Serra). The good news is you don’t have to go to Italy to see some fine examples. Just pay a visit to the Olympic Sculpture Park in Seattle or the Bellingham campus of Western Washington University.

Who Needs Rick Steves?

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The next time you find yourself near Basel, Switzerland, be sure to stop by the Basler Papiermühle. Earlier this week I blogged about its most famous artifact; today I’m noting (and showing) a few other reasons to pay a visit.

If you appreciate paper making, printing, and all the old-school equipment and craftsmanship used in the process, then you’ll enjoy this museum. Located in the heart of one of the most famous design communities in Europe, it’s also a working and functioning facility. Which is to say that it has an amazing gift shop.

It’s also worth noting that the Paper Mill’s logo was designed by none other than Max Miedinger, who, along with Eduard Hoffmann, created Neue Haas Grotesk—which later became…Helvetica.

The Holy Grail of Typography

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If you (OK, in this case…I) were to name the one piece of typography ephemera that would look wonderful in helveticka’s office display cases, this is it.

Designer and publisher Lars Müller called it “the most important record of Helvetica’s creation”: a fifty-eight page diary created by Eduard Hoffman, manager of the Haas Type Foundry and architect of Helvetica’s development. Along with his own handwritten notes and dates, Hoffman pasted all the proofs from designer and typeface coauthor Max Miedinger in its pages.

The notebook rests, in the most unassuming manner, within the Basler Papiermuhle (Basel Paper Mill). The first entry is dated November 16, 1956; July 21, 1965 is the last. During my visit, Hoffman’s diary was turned to pages twelve and thirteen with entries from April 1957—back when Helvetica was still called Neue Haas Grotesk.

“It serves as a priceless testimony,” writes Müller, “unprecedented in typeface history.”

Staff? Linda? Anybody…? Now you know what I really want for Christmas.

Oh My God—That’s It!

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With a little bit of sleuthing and some dumb luck, my wife Linda and I recently managed to find the birthplace of Helvetica. That’s right: the very place where Helvetica’s famous linotype matrices were first produced. Located in Münchenstein, Switzerland (just outside of Basel) the Haas Type Foundry moved into their new production plant in 1921.

Haas began operations in 1580 and continued all the way up to 1989. That 409-year run made it the oldest type foundry in the world. The book you see in the foreground above (Helvetica Forever, Lars Müller Publishers) shows two small photographs of the Haas Type Foundry’s interior and exterior. Today, the facility is home to the Rudolf Steiner Schule Münchenstein, appropriately located at Gutenbergstrasse 1.

What can I say? It was a religious experience.

It’s baaaaack…

“[L]ike Madonna and newspapers, cursive has displayed a gritty staying power, refusing to have its loop de loops and curlicues swept to the dustbin of handwriting history.” So declares Joe Heim in Tuesday’s Washington Post.

Interestingly, I noticed just a couple of years ago that I’d pretty much forgotten how to write in cursive. Dismayed, I foreswore the child-like printing I’d been using for decades. Sure, my notes were practically illegible, but hey—I was relearning a lost skill.

Is there a point? I’m not sure. I mean, I like that I’m getting better at it, but do state legislatures need to get involved? Color me dubious.

Discuss…

So I’m finally getting around to reading Jonathan Franzen’s Purity. The other day I came across the following passage:

Her body looked to be only a healthy diet and some regular exercise away from greatness, but her face and hair were on the verge of confirming a wicked little dictum of Leila’s: Blondes don’t age well. (Leila saw middle age as The Revenge of the Brunettes.)

This, by the way, is offered without any comment whatsoever. None. Remember: I’m just the messenger.

Miscellany

“Scorpions to help us fight cancer? It isn’t as crazy as it sounds.” The Wall Street Journal‘s Christie Wilcox on the healing power of venom.

Hey Courtney—you probably shouldn’t read this.

RIP, VCR.

Are some foods morally inferior to others? The Guardian ponders this question;  Megan McArdle comes right out and answers it: “If I have one regret in my current life, it’s that I have not yet managed to get my hands on the new Burger King Mac n’ Cheetos sticks.”

Walt Whitman: poet, essayist, journalist, humanist. And…graphic designer?

Four in a Row

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For the past four years now, I’ve set aside a full week in Greeley, Colorado for still photography and filming for the city’s annual Greeley Unexpected campaign. This typically involves shooting six different subjects on location, three of which are then used in a series of TV spots. This year the logistics were pretty complicated: more than two dozen people in multiple locations with lots of props— not to mention rounding up two horses, a turtle, and one Miss Rodeo Colorado. Above, our primary collaborator, Greeley photographer Erik Stenbakken, takes pictures of a group of University of Northern Colorado students.

Spokane Scene no. 20

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What’s this? Just Marza Wilkes, Zuill Bailey, Ida Alnajem, and Kristina Ignatjeva performing an arrangement of Haydn’s Cello Concerto in C Major. Free. This was last Tuesday at The Nest in Kendall Yards.

On the one hand, it’s hard to imagine a better way to spend your lunch hour; on the other, it’s a little depressing that fewer than two dozen people showed up for a performance by “one of the finest cellists alive today” (classical.net).

Oh, Spokane…never change.

Quote of the Day

“I get satisfaction of three kinds. One is creating something, one is being paid for it, and one is the feeling that I haven’t just been sitting on my ass all afternoon.” — William F. Buckley, Jr.

What’s New?

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I am! I began working here about six weeks ago now and I have a confession to make: I drive a Fiat. Now, I’m not the type who gets overly concerned about having the manliest of cars or even the most luxurious of cars. In fact, my first car was a 1974 VW Beetle. It was a nasty puke green color with a brown and beige interior. And to spice things up a bit, I put an XXL tie-dye T-shirt over the driver seat and used a yellow billiard ball my Dad drilled a hole into for a shift knob. As for the real kicker, whenever I came to a stop, I had to keep my right foot cocked at a 90-degree angle to rev the engine a bit just to keep this beater running.

Fast forward seven years and I made my first big-boy purchase. In March, I drove off the lot in a slightly used gunmetal grey 2013 Fiat 500 sport, a far cry from my hippie-mobile. However, when friends see what I drive, the overwhelming majority of responses are, “awww…it’s so cute!” Not exactly the response I was looking for. Then I saw these ads by illustrator Alex Solis of Agency Leo Burnett Tailor Made. So, for those who call it cute, you’d better watch out. My “cute” little Go Kart will eat you up off the line.

At the Grave of Philip K. Dick

In  February 1974, three-eyed extraterrestrial time travelers entered Philip K. Dick’s bedroom through a portal of pink light. “Trying to make sense of it, he wrote an 8,000 page commentary he called his Exegesis. In it, he proposed that the source of the pink light may have been God, the KGB, a satellite, aliens, a 1st century Christian named Thomas with whom he was in telepathic communication, the CIA, a version of himself from a different dimension, or possibly his deceased twin sister contacting him from the spirit world.”

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Riverside Cemetery, Fort Morgan, Colorado, 2016 

So was Dick a madman or a mystic?

Kyle Arnold, a psychologist at Coney Island Hospital and Clinical Assistant Professor of Psychiatry at SUNY Downstate Medical Center, wrote a “psychobiography” of Dick to get to the bottom of it. In it, he recounts “the author’s mental illnesses one by one, including anorexia, paranoia, severe anxiety, vivid hallucinations, suicidal tendencies, and violent outbursts followed by amnesia.”

What ultimately did him in wasn’t mental illness or suicide, but something far more pedestrian: a stroke—less than four months before the theatrical release of Blade Runner, which was based on Dick’s 1968 novel Do Androids Dream of Electric Sheep?.

Long one of my favorite authors, I finally got a chance to visit his grave a couple of months ago. Though I had neither a mystical experience nor a spiritual awakening, I can report that the site—in a quiet corner of a cemetery in a small town on the windswept plains of northeastern Colorado—is peaceful. Which, really, is what Philip K. Dick needed most of all.

“I was a little more flamboyant. I was the outlandish one.”

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There’s an article in yesterday’s Spokesman-Review that you really ought to read. No, it’s not because I’m quoted. It’s because you need to know more about Warren Heylman. And because Nick Deshais did a beautiful job telling Mr. Heylman’s story. And…okay, fine: because I’m quoted.

Seriously, check it out.

Miscellany

What can science tell us about morality? Not much, it turns out.

Speaking of philosophy, Roger Scruton weighs in on the absence of belief: “What we might have taken to be open-mindedness turns out to be no-mindedness.”

Bookies have apparently slashed the odds on either “a UK prime minister or US president” revealing the presence of aliens before the end of the year.

So you want to make a Tibetan leg flute. Nothing complicated, just “a simple length of femoral bone, from the knee joint to about half way up the thigh.” But where do you start? Well…”the most perfect specimen would be from a Brahmin child, male or female, free from worldly stains or faults.” On the other hand, “it should not be from someone who died of tuberculosis, plague or other contagion, or some accident or misfortune.” Sound a little daunting? Not to worry—”REAL Buddhist bone…taken during properly conducted, Chod based sky burials, can currently be acquired for $550 to $750, depending on quality.”

Surprise! The Soviets were jerks.

Geoffrey Hill died last week at 84. His poems, says David Yezzi, are “moral without being religious in any conventional sense, skeptical of power and the duplicity of language, and tonally fluent in ways that recall both the Jeremiad and the Psalm.” David Yezzi has more.

Bob Gimlin on the film that launched the modern Bigfoot phenomenon: “It ruined me.”

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