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Back to the Woodshed

Jessica Lahey, a middle-school teacher, wrings her hands over the fact that, in our oppressive world, spelling matters.

“Ideas should be judged on substance rather than appearances,” she writes, “but this simply is not how our world works. We live in a society where appearances matter, where in order to be heard and taken seriously we are judged quickly and superficially.” And, she goes on, she teaches her students “to dream about a world in which they can be respected for the content of their thoughts rather than for…the placement of their commas.”

I’m not sure where to begin, other than to suggest that if you can’t grasp a few simple rules about your native language, then I really don’t care about the content of your thoughts—nor should anyone else.

Back when I was studying music in college, there always seemed to be those who wanted to skip jazz theory and jump right into free improvisation, imagining that all those archaic rules about scales and chords and harmonic progression unfairly prevented them from the true expression of their musical ideas. The results were unambiguously disastrous.

It’s the same thing with spelling and grammar. If you can’t tell the difference between your and you’re, how to spot a comma splice, and whether a particular verb requires a direct object, you might want to see if you can sit in on a couple of eighth-grade English classes before blessing us with your profound insights.

Miscellany

Giant demon mosquitoes, awakened from a deep slumber by Tropical Storm Debbie, are heading toward Florida. And they’re not happy.

Neanderthals became extinct because they couldn’t catch rabbits? If only they’d met this guy.

Massive pigeon fireball blamed for ditch blaze: “Sparks went everywhere, some pigeons were incinerated, others dropped into the ditch and the fire raged.”

A plague of locusts just landed in the Giza region of Egypt. Next up: “…a thick darkness in all the land.”

It appears that my glass-half-empty world view has been vindicated. Told you so.

An Opening-Night Surprise

Anderson_Family
As most of our readers know by now, helveticka survived the March 1 opening of Spokane Modern Architecture, 1948–1973 at the Northwest Museum of Arts & Culture. It was great to see the exhibit finished after nine months of some serious research, writing, design, fabrication, filmmaking, and project oversight. Thanks to some special arrangements by my lovely wife Linda, I enjoyed a surprise visit by our two college-age daughters, which made the event even more special (Haley on the left, Hannah on the right). Thanks to Chad Ramsey for capturing this moment.

Architects in a Building Designed by Architects Viewing an Exhibit on Architects

AIApresentationLast night at the MAC, CK addressed a gathering of members of the Spokane chapter of the American Institute of Architects. Following the presentation, he and I were on hand to answer questions and provide piercing insight into the subject of Modern architecture. As can be imagined, fun and frivolity were very much the order of the evening.

On the Radio

Okay, fine. We’ll do one more SPOMa post. (Why? Because we can.) Here’s a story about the exhibit from Steve Jackson over at KPBX. Steve’s a real pro—and the missus tells me I don’t sound like a complete idiot, so there’s that.

Spo-tastic!

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Now that everyone’s fully recovered from the celebratory soirée—ashtrays cleaned, empty bottles tossed, farm animals returned to their rightful owners—we can report on last Friday’s SPOMa opening at the Northwest Museum of Arts & Culture: it was an unqualified and resounding success. Above, two attendees in appropriate period attire* gaze at a rare Alvar Aalto model of the library at Mount Angel Abbey (photograph by Photo Ramsey).

*The fact that both ensembles happen to closely match helveticka’s colors is purely coincidental, we can assure you.

RIP, Symbol of 20th-Century American Awesomeness

159_1962

Van Cliburn died yesterday. A reluctant cold warrior, the pianist beat the commies at their own game, winning first place at the inaugural International Tchaikovsky Competition in Moscow in 1958. And the best part? He was a Texan. Above, Cliburn and his mother at a performance in Gorkiy in 1962. Photograph by Leonid Bergoltsev.

We’re Just Hours Away

SPOMaModernism

Hard to believe that, in just three days, SPOMa will finally be opened to the public. Some folks have been waiting for two years for this to happen; others—like regular readers of this blog, who by now have grown weary of the constant reminders that we’re doing an exhibit and prefer the usual hard-hitting investigative reporting and links to cat videos—just want things to go back to normal. Soon, soon.

Oh, and don’t forget to tell all your friends.

And…It’s Graphics Time

Perhaps you’ve heard of the Modern architecture exhibit we’re guest curating at the MAC. No? Well, then. You can read all about it here. In the meantime, to illustrate the lengths to which we’ll go to ensure your museum experience is all that and a bowl of gravy, here’s CK Anderson assuming the mantis position while the boys from Designer Decal survey his technique.

SPOMaTable

Witness Design History

AaltoChair

If you thought Modernism was little more than straight lines, mechanized systems, and sterile environments, you’re gonna want to get a load of this gorgeous Alvar Aalto chair at SPOMa: Spokane Modern Architecture, 1948–73. The exhibit opens this Saturday at the Northwest Museum of Arts & Culture. In addition to the sumptuous curves above, you’ll see designs by Eero Saarinen, Charles and Ray Eames, and George Nelson.

Time for Some Hardware

displayshelfYesterday afternoon, CK Anderson, John Mraz, and the MAC‘s Ryan Hardesty (above) installed the first display shelf and case for the upcoming SPOMa exhibit. Both shelving and hardware were designed by helveticka and fabricated by Hydrafab Northwest; the custom Plexiglas case was built by Perception Plastics. SPOMa opens March 2 and runs for eight months.

Happy Birthday, Nina

It’s the High Priestess of Soul’s birthday today. Nina Simone, the devilishly hard-to-categorize singer, songwriter, and arranger who died in France in 2003, would have been 80. You can read all about her on Wikipedia—and you really ought to, if only to gain a full appreciation of her musical genius—but today, I’d rather you just listened. So here she is with the definitive version of the traditional spiritual “Sinnerman” from her 1965 album Pastel Blues.

Now for Some Paint

BalazsMural

Visitors to the upcoming SPOMa exhibit are in for a special treat: a 40′ x 18′ mural, adapted from a 2012 Harold Balazs painting entitled Swimming By. Volunteers, led by Whitworth University associate professor of art Gordon Wilson and with the full participation of Balazs himself, are currently about a third of the way through the project, and should have it completed by Friday.

The History of Music, Illustrated

A few millennia of music history boiled down to a seven-minute video? I wouldn’t have thought it possible. But apart from a few quibbles (The Doors? Seriously?), I’ve got to hand it to Pablo Morales.

Be sure to watch to the very end.

Twelve Days and Counting…

SPOMaInstalThere’s more to a museum exhibit than hanging a few pretty pictures on a wall. First, you need some walls. CK snapped this photo last week as workers at the MAC began construction in preparation for SPOMa, which opens March 2. Painting will be done tomorrow and Wednesday, then display cases installed, then…well, you’ll just have to come see for yourself.

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