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Wisdom from an Unlikely Place

Perhaps the headline is a little unfair. But, generally speaking, “smart celebrity” is an oxymoron on the order of “Microsoft Works,” so I’ll stick with it for now.

Anyway, this morning Hugh Laurie tweeted something worth drawing your attention to:

“If a thing is done less than perfectly, there are two possible explanations: the person doing it is not competent, or the thing is hard. Critics generally concern themselves with the first of those.…”

Forget for a moment that there’s a third possibility—that the person judging whether the thing is done perfectly isn’t qualified to render such a judgment. Just try to remember that, the next time you’re about to get all high and mighty over someone’s perceived ineptitude, there’s at least one alternative explanation.

Did You Miss Us?

Not sure what to make of this: In the two weeks (!) since since our last blog post, there’s been nary a peep from anyone.

On the one hand, it’s good to know that, when things get crackin’ around here, we can focus on client business without upsetting our regular readers. Or—and this is far more likely—it could be that we just have no readers to upset.

Whatever. We’re back. With a story that, quite frankly, explains a lot. (At least about the company I keep.)

Word of the Day

sciolist (noun) One whose knowledge or learning is superficial; a pretender to scholarship.

“It’s clear from the narrative portion of SPOMa that the person responsible is nothing more than an academic sciolist,” said the jealous wannabe writer from the competing design firm.

The History of the English Language in Ten Minutes

http://www.youtube.com/watch?v=rexKqvgPVuA

From The Open University comes this creative, funny, and—strangely enough—quite informative look at the development of our language over the years. Do try to watch all of it.

Spokane Scene no. 10

fallfolkfestival

The best part of Spokane’s annual Fall Folk Festival are the impromptu jam sessions that spring up anywhere there’s room to open a mandolin case. I shot this last Saturday, right after a performance by Juliana & PAVA in SCC’s Laird Auditorium. (You can just make out Ekaterina Badaeva and Galina Kalyuzhina—two of the heavenly voices in that ensemble—at top left.)

Waaahhh!

Because I was a dork long before it was cool, acute schadenfreude is really the only possible response to a story like this.

It seems that some Webster University “student athletes” are upset that (gasp!) a couple members of the school’s national championship-winning chess team are featured on a billboard in athletic garb. As if that weren’t offensive enough, the billboard reads “Our top recruits are chess players.”

Oh, the humanity!

“Webster directly compared the chess team, which does not compete as a part of the athletics program, to the rest of the athletes on campus,” whined WU basketball player Kevin Miller, who then went on to complain—apparently without irony—about “the lack of facilities our athletics department has for student athletes and the other students who want to come in and have a good workout.” Miller also tweeted his displeasure: “I train all year 2 be able to run up and down a basketball court to represent my school. Not just move wooden pieces.”

By the way, Webster’s chess team is coached by Susan Polgar. Yes, that Susan Polgar.

Here’s the thing: the billboard is funny. It’s memorable. It’s self-deprecating. And it shows that the school attracts some really smart people—which is, you know, what colleges ought to be doing, right? Most important, though, is that the billboard works, a concept apparently too complex for Webster athletes to grasp.

Hanford Ghosts

hanfordhighjpeg

Apart from a few streets and sidewalks, the concrete and stucco shell of Hanford High School is all that remains of the old town site. Originally constructed in 1916 and rebuilt after a 1936 fire, the building served as a construction management office during the Manhattan Project and, more recently, as a training area for SWAT personnel.

See here and here for two other posts related to our recent Hanford Site tour.

The Loneliness of a Mostly Decommissioned Nuclear Production Complex

1200mw

Another shot from our Hanford tour. (Check out yesterday’s post for a quick explanation.) Off in the distance you can see the steam cloud from Energy Northwest’s Columbia Generating Station—the only commercial nuclear energy facility in the region.

Hanford!

contol

There’s a lot to be said for being a writer in this business. (Like the fact that it’s not really work, despite what I tell CK.) And then there are the opportunities that aren’t granted to just anyone—like getting a personal guided tour of the 600-square-mile Hanford Site yesterday, courtesy of Kevin Haggerty and MSA. I took the photo above from the control room of the B Reactor, which produced plutonium from 1944 to 1968.

It’s That Time Again

So. Daylight Saving Time comes mercifully to a close this weekend—2 a.m. Sunday morning, to be precise. Right up there with Crystal Pepsi and Keeping Up with the Kardashians, it’s one of the dumbest ideas ever foisted on an unsuspecting public.

Allison Schrager not only wants to retire DST, she recommends that the U.S. move to just two time zones one hour apart. Clever girl.

Word of the Day

exiguous (adjective) Scant; meager.

Prior to Michelle’s Costco trip yesterday, provisions at helveticka’s world headquarters were somewhat exiguous, leaving employees ill-equipped to placate late-afternoon hunger pangs.

Happy Birthday, Teo

Teo Macero was born on this day in 1925. A jazz saxophonist and composer in his own right, Macero is best known for producing two of the most famous—and best-selling—jazz albums of all time: Dave Brubeck’s Time Out and Kind of Blue by Miles Davis, both released in 1959.

It’s Macero’s work on Davis’s late 60s–early 70s albums, though, that reveals his genius as an artist. Armed with a razor blade and tape, he’d isolate, splice, and sequence melodic phrases and snippets of improvisation—sometimes working with little more than a chord or two introduced right there in the studio. (Listen to Davis’s “Honky Tonk” from the 1974 album Get Up With It to get a sense of the layering involved.)

Macero died in 2008. His influence on jazz is impossible to overstate.

Painter of AT-ATs™

kinkade_starwars

Since you can’t possibly make a Thomas Kinkade painting any worse, it stands to reason that it could be made better, right? Artist Jeff Bennett has done just that. Here’s a gallery.

Hat tip: What Interests Derek, where, if you like this sort of thing, this is the sort of thing you’ll find pretty regularly.

Self-Indulgence Alert

What happens when graphic designers take themselves too seriously? This. Ed Mitchell, who doesn’t like how “discordant” U.S. state flags are as a group and was alarmed to learn that they “break just about every rule of flag design,” decided they ought to be redesigned:

I love the idea that we can argue and fight with each other and that we have the freedom to redesign potent, historic symbols. Freedom of expression—of speech and ideas—is what makes this nation great. But lately it feels like we’re off balance. I believe design can be used as a tool to challenge our current beliefs—in this case, to make people think about what we represent, what image we want to project, and how it will look when we’re all working together.

Really, you need to see the results.

(This is our 700th blog post, by the way. And yes, it’s customary to present gifts on such occasions.)

“…you can not imagine the unimaginable.”

2001: A Space Odyssey is a cinematic masterpiece. On this there can be no debate. Reasonable people can disagree as to exactly where it fits within a list of the greatest movies of all time, but if you argue against its inclusion, well…you’re a bad person. Simple as that.

There’s a lot that contributes to 2001‘s success—not the least of which is the music of Hungarian composer György Ligeti. (Click here to listen to Atmosphères, a “micropolyphonic” piece that Ligeti wrote in 1961, and that appears in its entirety in the film.)

The smartest move, though, was also the most daring: you never actually see an alien. But we came pretty darn close, according to this article. Arthur C. Clarke, who shared a screenwriting credit with director Stanley Kubrick, explains:

“…”Our ultimate solution now seems to me the only possible one, but before arriving at it we spent months imagining strange worlds and cities and creatures, in the hope of finding something that would produce the right shock of recognition. All this material was abandoned, but I would not say that any of it was unnecessary. It contained the alternatives that had to be eliminated, and therefore first had to be created. […] just as a sculptor, it is said, chips down through the stone toward the figure concealed within.”

Funny how the creative process is pretty much the same no matter where it’s applied.

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