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The Only Time Verbing Is a Good Thing

Back when I was a callow youth and working in one of those fast-paced, too-hip-for-words advertising agencies that looks more like an adult daycare than an actual place of business, one of our accounts was Netflix. And one thing Netflix wanted—really, really wanted—was to be verbed. See, this was around the time that “Googling” became a thing, and the way the Netflix suits figured it, if people started to say that they “Netflixed” a movie, well…that would pretty much be the final nail in Blockbuster’s coffin. (Remember Blockbuster? No? Never mind.)

Anyway, I was thinking about this as I read the Trademarks page over at Adobe’s website. Here’s a taste:

Trademarks are not verbs.
Correct: The image was enhanced using Adobe® Photoshop® software.
Incorrect: The image was photoshopped.

Always capitalize and use trademarks in their correct form.
Correct:The image was enhanced with Adobe® Photoshop® Elements software.
Incorrect: The image was photoshopped.
Incorrect: The image was Photoshopped.
Incorrect: The image was Adobe® Photoshopped.

Now, setting aside the fact that I’ve never—ever—heard anyone say that “the image was enhanced using Adobe® Photoshop® software,” this seems pretty short-sighted, doesn’t it? I mean, wouldn’t you want your product or service to be verbed? The New York Times thought so back in 2009.

Turns out it’s not that simple. Mike Hoban has some thoughts about it over at Fast Company; meanwhile, The National Law Review weighs in the supposed legal ramifications here.

As for me, well…Photoshop will always be a noun and a verb.

Rebrand Alert!

Depending on how often you Internet (new verb coined by yours truly; it means to scour the Internet with no real direction or time restraint) and what your Internetting (Aaron will love that) brings you to, you will have either heard about the Alaska Airlines re-brand or not. If you have, tell me your thoughts. If not, then please, continue reading, make your own assessment, and then let me know your thoughts. Enjoy…

ALASKA AIRLINES! I love Alaska Airlines. Being from Alaska, I naturally have an affinity toward things that make me nostalgic and the state I hold so near and dear. Growing up in Alaska you vacation…a lot. Every winter you fly somewhere, and by you I mean everyone. My girlfriend from Alaska moved to Spokane and the first time she came to visit me she asked, “So where are you guys going this winter?” My boyfriend was shocked that this was not an Alaskan tall tale ploy to trick him to go to Hawaii with me.

So anyway, you take your yearly oil dividend and you fly far, far away from the frigid darkness of February – and because there is no other airline crazy enough to operate out of Fairbanks, you fly Alaska Airlines. I think most people who fly Alaska can agree (after seeing the redesign) that the brand was due for a refresh. The navy blue looked very dated and stale compared to Southwest’s pallet and their adorable heart (I mean, who doesn’t want a heart-shaped swizzle stick in their drink?). So the talented people at Hornall Anderson set forth to create a new brand that could freshen up the image without stripping it of everything people have come to love about it over the last 80 years.

akaair_rebrand

A new, bright palette is going to help it stand out from competing airlines while also adding some much-needed energy to the stuffy airport check-in stations. I am extremely happy that they chose not to scratch the famous Eskimo on the tail of the planes, in part because the editing and softening of his face makes him more approachable and friendly—though, to be honest, I’m going to miss the proud look he used to carry, as it felt very Alaskan. (Maybe they could have pumped the brakes just a touch, because now he feels a little less noble and a bit more jolly.) The new letterforms are clean and legible. I honestly hadn’t noticed the oddities in the old logotype, such as the K overlapping the A or the harshness of the S, and now that they’re gone, I find myself missing them. There was a streamlined and individual feel about the old logo, and though it was dated, I think it held up very well. I would have liked to see a bit more stylization carried over from the old letter forms, but I understand why they made the choices they did.

Maybe I’m just being sentimental, but I’m torn. My education and experience and personality and expertise tell me I should love it (as does CK). But I’m just not there yet.

Be sure to check out Alaska’s brand-launching website to see more.

The Texture of Design

When talking about design, so often I lean on buzzwords like grid, structure, layout, typography, rhythm, and scale. All of these are quintessential to great design, but lately I find that I am craving something with more substance: design focused around texture. Though painstakingly detail-oriented and time-consuming, graphic design done with just a pencil, paper, X-Acto knife, and varying depth is clearly a work of art. A true labor of love that begs the viewer to get closer and explore—to find the treasure in the details.

With the inspiration below, more Pinterest searches of “paper, graphic design,” and a trip to the art supply store, this is going to be my February project. Wish me luck (and patience)!

 

paper_design_blog

 

Stop! Grammar Time!

Principal or principle? This is one of those questions that, even after 15 years as a professional writer, can still send me to my dictionary.

Speaking of which, here’s how American Heritage (fourth edition) sorts it out:

Principal and principle are often confused but have no meanings in common. Principle is only a noun and usually refers to a rule or standard. Principal is both a noun and an adjective. As a noun, it has specialized meanings in law and finance, but in general usage it refers to a person who holds a high position or plays an important role: a meeting among all the principals in the transaction. As an adjective it has the sense of “chief” or “leading”: The coach’s principal concern is the quarterback’s health.

Paul Brians has more, in case it’s still a little unclear:

Generations of teachers have tried to drill this one into students’ heads by reminding them, “The principal is your pal.” Many don’t seem convinced. “Principal” is a noun and adjective referring to someone or something which is highest in rank or importance. (In a loan, the principal is the more substantial part of the money, the interest is—or should be—the lesser.) “Principle” is only a noun and has to do with law or doctrine: “The workers fought hard for the principle of collective bargaining.”

So, if it’s a person you’re referring to, it’s principal. If it’s an adjective – no matter what – it’s principal. If it’s about significance or position, it’s…also principal. About the only time you’d use principle, then, is if it’s a basic law, truth, or assumption.

Something tells me I’ll still be reaching for my dictionary.

Look on my Intellect, ye Dummies, and despair!

So. According to science, I’m “intellectually superior” to my coworkers, with “amazing ideas constantly running through [my] genius brain….” And that’s not all:

The cleverest among us find it difficult to prioritise which idea to focus on first, with the distractions potentially leading to “a feeling of inadequacy and inability to deal with the workload as a whole”, according to psychiatrist Dr Ned Hallowell. 

Let me put that into a logical proof for you:

A. I’m easily distracted.
B. Easily distracted people have ginormous brains.
C. Ergo, I’m better than you.

Sure, it sounds impressive and all, but it’s really a disadvantage—for everyone. I mean, imagine the awesomeness I could unleash on the world if CK would quit distracting me with all this busywork.

Why Musicians Need Philosophy

In this fascinating piece published by the Future Symphony Institute, Roger Scruton posits that “it is precisely the absence of philosophical reflection that has led to the invasion of the musical arena by half-baked ideas.”

Forget for a moment about the specifics (I happen to be a fan of both Stockhausen and Schoenberg); I wonder if Scruton’s thesis doesn’t help explain the universal appeal of, say, Bach?

Hmmm…

David Bowie, RIP

I picked up David Bowie’s latest, Blackstar, on Friday—the day of its release—and the missus and I spent the better part of the weekend listening to the “unpredictable jazz solos and spirited vocals meeting timeless stories of blunt force and destruction,” as Ryan Dombal described it in his Pitchfork review, published last week.

Of course, the listening experience went from the sublime to the surreal when we learned of Bowie’s death this morning, particularly in light of lyrics like:

Look up here, I’m in heaven
I’ve got scars that can’t be seen
I’ve got drama, can’t be stolen
Everybody knows me now

Much will be written about Bowie over the next few days—most of it, I imagine, about how he left such an indelible mark not only on music, but also on fashion and art. (On that, in fact, Dombal was eerily prescient. “[The] tortured immortality is no gimmick,” he wrote. “Bowie will live on long after the man has died.”)

But for me, it’s always been about the music: exploratory, enigmatic, and transgressive. And beautiful—always beautiful.

There will never be another quite like David Bowie. There can’t be.

Poetry Break

sleepyhollow

POSTSCRIPT
Seamus Heaney

And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park and capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.

(1996)

Today in History

Pamela, Lady Campbell, to Emily Eden, January 7, 1821:

“I cannot bear Scotland in spite of every natural beauty, the people are so odious… Their hospitality takes one in, but that is kept up because it is their pride. Their piety seems to me mere love of argument and prejudice; it is the custom to make a saturnalia of New Year’s Eve, and New Year’s Day they drown themselves in whisky. Last New Year’s Eve being Sunday, they would not break the Sabbath, but sat down after the preaching till twelve o’clock; the moment that witching hour arrived, they thought their duty fulfilled, seized the whisky, and burst out of their houses, and ran about drinking the entire night, and the whole of Monday and Monday night too. This is no exaggeration, you have no idea the state they are in—men lying about the streets, women as drunk as they—in short, I never was more disgusted.”

From The Folio Book of Days (Folio Society, London: 2002).

Pixels in My Pocket

I remember when the only photographs I allowed myself to take were with my Cannon SLR 35mm camera—which had to be set in manual mode, of course, since I wanted to focus and set the shutter speeds myself. That was back when bracketing for exposures was the norm.

I admit, it took me a long time to lower my standards to the point where I’d consider using a point-and-click digital camera, mostly because I’ve spent the better part of my career working with professional photographers.

And when cell phones first introduced built-in cameras, I thought they would never take off. Seriously. Who wants to take soft, pixelated, low-res images? (Everybody, it turns out.) I finally accepted my short-sightedness when iPhone images started appearing in Sports Illustrated.

So, with only a little reluctance, here are a few of my favorite personal images from 2015. Even if they are crappy point-and-click photos that anybody else could have taken on an iPhone.

CK1CK2CK3CK4CK5CK6CK7CK8CK9CK10

Who Needs Beauty, Anyway?

Kudos to the Spokesman-Review‘s Stefanie Pettit, who sounds the alarm over the “declining into banality” of language. Here’s the money quote:

We need better words, sometimes more poetic words, sometimes words we need to look up if we can’t figure them out on their own. We need all the beauty and complexity of language to communicate well, to tell the story, to verbally paint a beautiful picture or maybe just a clear picture.

Preach it, sister! Plus, look at it this way: Even if we eventually lose the fight, “manning the barricades against the barbaric descriptivist hordes” can totally go on your résumé.

Happy New Year, Everyone

A couple of months ago, I had my first Trinidad Sour at Ruins—hands-down the best place in all of Spokane for delicious grub and adult beverages. The drink was so good I had another (which, despite what you may have heard, is unusual for me), then resolved to learn how to make it myself. Turns out it isn’t all that hard:

1 oz. Angostura Bitters
1 oz. orgeat
3/4 oz. fresh lemon juice
1/2 oz. Rittenhouse Rye

Shake with ice and strain into a chilled coupe.

A couple of notes: No, that’s not a typo, it’s a full ounce of Angostura. It’ll blow your mind. Also, make the effort to find BG Reynolds orgeat. And while any rye will probably do, Rittenhouse’s “very assertive, almost feral” profile is just what you need for this kind of drink.

So whether you’re heading out on the town this evening or shaking the Cheetos dust off your Snuggie for another lonely Netflix all-nighter, pause for just a moment to toast 2015 with a Trinidad Sour. Then go right ahead and greet the new year with another.

See ya’ll next year.

Stop! Grammar Time!

Great reminder from June Casagrande that your dictionary is good for more than just definitions:

Here are just a few of the seemingly baffling grammar and usage questions the dictionary can answer: Is it “I have drank tea many times” or “I have drunk”? What’s the plural of cactus? Why does “smart” have “smarter” but “intelligent” doesn’t have “intelligenter”? What do I do when my spell-checker flags a word like “unfun” or “neighborhoodwide”? How do I choose between “donut” and “doughnut”? Can I use a noun as an adjective, like by saying “It’s a bagel day” or “It’s a guy thing”?

It’s true. I could easily do my job without Strunk & White, Fowler, and The Chicago Manual of Style. But no dictionary? As the kids say, I can’t even.

Miscellany—and More Music

Back from an ever-so-brief blogging hiatus, we bring you the latest from helveticka‘s global news bureaus:

The true story of Roland the Farter, in which we learn of the existence of “professional fartists.”

“[J]ust like sugar, pornography and television, ‘what you prefer is not always good for you or right for you.'” Science myths that refuse to die.

Western civilization is doomed: “Eight of the top 20 selling books on Amazon currently are coloring books designed for adults.”

A Love Supreme is 50 years old,” says Ravi Coltrane. “But if you have not heard it before—you didn’t know it existed before yesterday—than [sic] it’s essentially brand new.”

Speaking of music, I need to amend my best-of list from December 3, not to mention retract this headline. I just discovered Anna Thorvaldsdottir’s In the Light of Air. It’s a breathtakingly beautiful piece of contemporary classical music, and really shouldn’t be missed.

It’s Never Easy

No other typeface stirs up such divergent viewpoints as Swiss-born Helvetica. According to Wolfgang Weingart—the father of Swiss Punk typography—it’s “the epitome of ugliness.” On the other hand, Massimo Vignelli is a little more reflective. “I’m trying to think of drawbacks of Helvetica,” he said. “I hardly know one.”

And then there are those who equate the use of Helvetica with lazy design. Amsterdam’s Experimental Jetset has some thoughts about that:

To suggest that the way we use Helvetica is an easy way out typographically is ridiculous. We spend an enormous amount of time spacing, lining, and positioning type. The fact that we use only a small variety of typefaces demands a certain discipline, a skillful precision, a focus on the finer details. It’s certainly not a-different-typeface-for-every-occasion attitude. Now, that would be an easy way out.

As for us, well…you know where we stand.

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